FERRUCCIO ASCARI

Lingua: English

  • 1985 Fortepiano

    19 85 Fortepiano Fortepiano. Painted wood, 259x11x10,5 cm, 1985 [S0009]

  • 1986 Cratere

    19 86 Cratere Cratere. Iron, canvas, tempera, 131x91x27 cm, 1986 [S0014]

  • 1986 Di Terra

    19 86 Di Terra The unforseeable quality of a work of art, the impossibility of deducing it from what already exists, is the conceptual link which connects, in spite[read]of their different formal and linguistic features, Ascari’s installation works with those of the subsequent period: in this phase, the artist’s attention became focussed on painting and…

  • 1987 Elelisphatos

    19 87 Elelisphatos Glass (english version coming soon) Un segno fluido, luminoso, continuo, fa emergere da un fondo nero e vellutato dodici figure che si sviluppano longitudinalmente. occupando interamente il campo del foglio di carta.[read]Di esse l’autore dice, alludendo alle scritture misteriose che le attraversano, che sono corpi che portano segni, ne sono attraversati: segni…

  • 1987 Invisible cities

    19 87 Invisible Cities Invisible Cities. Cliché verre, 30 pictures 40×30,5 cm cad., 1987 [FT0010]

  • 1988 Elelisphatos

    19 88 Elelisphatos Glancing through the pages of this book is like entering “another space”. This space, “other” than that in which we are and move through, within our dimensions and with our physical weight, is the space within the book.[read]Entering the book means entering the realm of the twelve images. Letting ourselves be carried…

  • 1989 Affreschi Strappati

    19 89 Frescoes Transferred To Canvas click here for a text by Giorgio Verzotti Untitled. Fresco transferred to canvas, 20×31 cm each, 1989 [A0209, A0210] Untitled. Fresco transferred to canvas, 18,5×30 cm each, 1989 [A0214, A0215] Untitled. Fresco transferred to canvas, 17,5×30 cm heach, 1989 [A0211, A0212, A0213]

  • 1982 Archi

    19 82 Archi Archi. Enviromental installation, curved tree branches and pigment, Milano, Mercato del Sale Gallery, 1982 [S0001] Archi. Enviromental installation, curved tree branches and golden leaf, Milan, Mercato del Sale Gallery, 1982 [S0002]

  • 1982 Gabbie

    19 82 Gabbie

  • 1982 Sassifraga Ombrosa

    19 82 Sassifraga Ombrosa In ‘Sassifraga Ombrosa’ (1982) and Notturna, within this complex of semiotic elements it is the relationship between architectural iconography and the sound’ stream which is emphasised: the architecture (in the first case the Neoclassical facade of Villa Ponti in Varese[read]and in the second the fifteenth-century cloister of the Pinacoteca in Volterra)…